Archive for August, 2009

Never Hurts to Check

Wednesday, August 26th, 2009

Bandon Beach, OregonIt never hurts to check back through old images.  I apply a fairly rigorous editing process to my images.  After a shoot I download the images and then begin the deleting.  Using Adobe Lightroom I first find any images that are out of focus, poorly exposed, etc. and delete them.  Next I go through and flag all the images that I think may have some promise.  Looking at just the flagged images I now go through again and give each image a rank from one to three stars, with three stars being the top level images.  Finally I give color codes to some of the stared images, red to indicate a prime select and yellow to indicate a basic stock image.  Once this is done I am now able to quickly get back to the best images from a shoot as well as sort them by their potential future use.

However, I need to stay in the practice of going back and looking through the images that didn’t receive a star or a color label from time to time.  Often I will find a great image that slipped through the cracks or that I had a bias against at the time, but looks more appealing once I have distanced my mind from it a bit.  The photo above of one of the rock formations and beach near Bandon is one such photo.  When I took the photo I was hoping for a brilliant sunrise, so when the dawn came with gray conditions I was disappointed, but still dutifully took a few images.  My lack of enthusiasm for the day affected how I saw this image when I was first editing the group of images it was in and it didn’t make the cut.  Nearly a year later I came across it while searching for different beach images.  Now that I have had time to distance my mind from the fact that there wasn’t a colorful sunrise the image really stands out to me.  Now I rather like the dramatic, dark and somewhat ominous feel and muted tones.  I have also moved the image quite a bit higher in my ranking system.

Intimate Painted Hills

Tuesday, August 25th, 2009

Intimate Painted Hills

Intimate Painted Hills

The painted hills in central Oregon is one of my favorite places in the state.  The Painted Hills are located in the Painted Hills Unit of the John Day Fossil Beds National Monument along Hwy 26 just west of Mitchell.  Even though the hills don’t cover much area, the patterns and shapes and the way light plays across them is visually absorbing.  I often take wide landscapes, but for this image I decided to zoom in for an intimate and abstract study.  When photographed like this, the hills really do look painted…or rather, they create a photograph that looks like a painting.  I’ll have to print this large on canvas and see how it looks.

Sharing Photography Via Social Networking

Thursday, August 6th, 2009

Social networking is quickly surpassing more
traditional means of communicating and
sharing ideas and information on the web,
such as email and bulletin boards.  In the
month since I started the official Sean
Bagshaw Photography
page on facebook the
number of fans (facebook’s term, not mine)
has grown to nearly 900 with members from every part of
the world.  Facebook is an efficient way for
me to quickly share Outdoor Exposure Photography information, new
photos, photography tips and signed print
give-aways, much more efficient than my blog
or newsletters.  Best of all, it provides a
platform for fans to participate by posting
their own thoughts, tips, questions and
photos.

Click here to follow my photography on facebook.

fbscreen

Twitter is a social networking site that I’m
just starting to experiment with.  The idea
is that I can use twitter to post very short
dispatches from the field, photo tips of the
day and random thoughts from the day in the
life of an outdoor photographer.

Click here to follow me on Twitter.

Photography Exhibit Event: Of Our Time and Place

Wednesday, August 5th, 2009

Standing Watch, Crater Lake

Standing Watch, Crater Lake

The Rogue Galley & Art Center in Medford, Oregon will be opening a new photography exhibit called “Of Our Time and Place”.  The show will be a group exhibit that showcases the photography of several artists from the Rogue Valley region.  This juried show will be on exhibit at the Rogue Gallery through September 26.  The reception will be open to the public and be held on Friday, August 21, 2009 from 5:00 to 8:00 PM.

Four of my large prints will be part of the exhibit.  In keeping with the theme of the show, I selected images that depict defining and well known landscapes around the Rogue Valley with my signature attention to dramatic light, sweeping compositions and a sense of adventure and mystery.  The locations featured in my images include Crater Lake, the Rogue River, the Greensprings foothills and the old Wood House near Eagle Point, all icons of our time and place.

The Rogue Gallery & Art Center is one of the finest community visual arts organizations in Southern Oregon. Founded in 1960 by artists, educators, and community leaders, it serves as an art center and artistic catalyst for the region.  More than 40 years later, it continues to serve the citizens of the Rogue Valley with art education, exhibitions, and artists’ services.

Location and contact information for the Rogue Gallery:

40 South Bartlett, Medford, OR 97501

541-772-8118

www.roguegallery.org

Photographing in Lassen National Park

Wednesday, August 5th, 2009

Mt. Lassen National Park in northern California seems to be one of the lesser known and visited national parks.  It make lack some of the panache, history or supreme grandeur that the better known parks have.  However, as a photographer, I really enjoy the diversity, volcanic activity and wilderness feel it has.  On my most recent trip, in addition to some of your more standard nature images,  I was able to take some photos that I feel are truly unique and artistically intriguing.

Burney Falls State Park is less than an hour's drive north of Lassen

Burney Falls State Park is less than an hour's drive north of Lassen

Several lakes in the park provide views and reflections of Mt. Lassen and other peaks.

Twilight glow, Mt. Lassen, Chaos Crags and Manzanita Lake

Twilight glow, Mt. Lassen, Chaos Crags and Manzanita Lake

The boiling mud pots in Bumpass Hell are a sight you won’t see outside of Yellowstone.  With some special light or atmospheric conditions they have the potential for some very interesting photography.

Bumpass Hell boiling mud pots and pools, Lassen Volcanic National Park

Bumpass Hell boiling mud pots and pools, Lassen Volcanic National Park

Kings Creek Falls is just one of many along a spectacular stretch over a mile long that drops steeply into a canyon.

Kings Creek Falls

Kings Creek Falls

But so far, the area around Butte Lake, in the north east corner of the park is my favorite for photography.  The large cinder cone makes a great photo subject in itself, and from its summit one can photograph the surreal Painted Dunes and lava beds.  The forest of ponderosa pine and carpets of pine cones also make interesting photography subjects.

The Cinder Cone, Lassen Volcanic National Park

The Cinder Cone, Lassen Volcanic National Park

Painted Dunes, Lassen National Park

Painted Dunes, Lassen National Park

Sunrise light on the Painted Dunes

Sunrise light on the Painted Dunes

Ponderosa pine cones

Ponderosa pine cones

Jefferson Wilderness, Jewel of the Oregon Cascades

Tuesday, August 4th, 2009

The Jefferson Wilderness in the Oregon Cascades, located to the north of Santiam Pass, east of Salem and West of Sisters, is one of the most amazing natural mountain environments on the west coast.  Mt. Jefferson itself is awe inspiring as the second highest peak in Oregon and host to the largest glaciers in the state other than those found on Mt. Hood.

Warm sunset light on Mt. Jefferson and Bays Lake

Warm sunset light on Mt. Jefferson and Bays Lake

In days past I have trekked into Jefferson Wilderness on several occasions, either backpacking or to climb Three Fingered Jack or Mt. Jefferson itself.  This was my first time to visit specifically to take photographs.  The wilderness is home to some extremely photogenic countryside.  For the dedicated photographer willing to backpack in with camera gear and spend a couple days exploring it is a wonderland.

In July I spent a memorable week with fellow photographer, David Cobb (www.dmcobbphoto.com), photographing in two different parts of the wilderness area.

Mt. Jefferson reflected in Rock Lake

Mt. Jefferson reflected in Rock Lake

First, we backpacked in to the popular Jefferson Park area via the Woodpecker Ridge Trail which is accessed by a forest road (road 040) a few miles to the east of the town of Detroit.  Jefferson Park can be overcrowded on weekends in August, but midweek in July, when there is still quite a bit of snow on the ground and the mosquitoes are at their peak, we only saw three or four other parties in three days.  Jefferson Park is popular for a reason.  The flat alpine basin at over 6,000 feet of elevation has several lakes and numerous small tarns  that reflect some of the best views of the mountain available.  As the snow melts wildflowers carpet the marshy meadows.  The position of the Jefferson Park area on the north side of the mountain means that in summer the peak gets great side light for photography at both sunrise and sunset.

Snow filled tarn in Jefferson Park

Snow filled tarn in Jefferson Park

After three days on the north side of the wilderness we hiked out, drove over Santiam Pass and down the east side of the cascades where we drove along more forest roads (road 12 to 1230 to 1234) to reach the Canyon Creek trail head.  The Canyon Creek trail starts at Jack Lake ascends toward Canyon Creek eventually arriving at Canyon Creek Meadow at the base of the north east side of Three Fingered Jack.  Three Fingered Jack isn’t the highest of the Oregon Cascades, but it is one of the cragiest with the most interesting geologic patterns of colors and layering.  Canyon Creek Meadow is located in a glacier carved basin directly at the base of the sheer north face of Three Fingered Jack.  In late July it is home to one of the most amazing wildflower blooms in the state.  We were a week or two too early for the peak of the flowers, so I look forward to getting the timing better next year.  Even still the early morning light on the peak with winding streams, reflecting pools and green meadows below made it one of the more memorable campsites and photography locations I have had.  A high ridge blocks the late evening light, so we cooked dinner and hid from the voracious mosquitos in the tent.  However, the morning light is sublime.  We spent over an hour finding one composition after another as the warm glow of the rising sun slowly progressed down the mountain face.

Paint brush in Canyon Creek Meadow below Three Fingered Jack

Paint brush in Canyon Creek Meadow below Three Fingered Jack

Greg Vaughn gives good directions and photography suggestions for both these locations in his book Photographing Oregon.

Three Fingered reflection

Three Fingered reflection

Tips For Decorating An Office With Photography

Tuesday, August 4th, 2009

One of the groups of photo buyers that I market my photography to is professional and commercial office spaces such as law offices, medical clinics, dentists, banks, financial services, educational institutions and commercial buildings.  The following are some helpful tips to consider when selecting photographs to decorate a professional office or commercial space.

  • Choosing a theme for a photography collection helps create continuity and flow. A theme might include a subject, such as mountain landscapes. It could also be a color palette, patterns, abstracts or something more conceptual, such as grandeur, grace or simplicity.

  • Simple, bold composition and abstracts can create a contemporary and sophisticated environment, while grand landscapes, colorful nature scenes and dramatic lighting provide a sense of place and visual intrigue while bringing the outdoors in. Intimate scenes, florals and close ups can provide a sense of peace and well being.

  • Arranging photos on the wall in groups can help break up a large space and allow groups of images to tell a visual story.
  • Wide mattes and frames create a neutral zone around the image that draws the eye inward toward the image and sets it apart from the wall. Narrower frames and mattes provide a window on the world feel and allow the image to speak for itself.
  • Colored walls and frame/matte combinations that bring out colors in the print or in the interior décor, help the photos stand out and help tie the room together.
  • Consider non traditional way of presenting photography. The current technology in photographic printing allows for a wide variety of print media and display options in addition to the traditional framed photographic print. Photos can now be printed on canvas, vinyl, fine art paper, linen, metal and transparent or translucent surfaces. Photographs can also be printed to wallpaper media and applied directly to the wall surface to create stunning and unique wall murals.

  • The Internet is an amazing resource for finding the right photography. Photographers are now able to market their work to a world wide audience through personal websites and on line photo agencies and forums. Photography buyers and collectors can easily access, browse and order prints right from their computers.

Photography Collections for Commercial Offices

Saturday, August 1st, 2009

Distinctive contemporary professional office spaces including the lobbies of businesses , medical clinics, hospitals, law offices and financial services offices benefit from carefully planned interior design and décor. One hallmark of a well appointed office is original artwork. One way that high end professional and commercial offices put forward an image of sophistication, intellect and prosperity is by incorporating a collection of fine art within the interior design of their public spaces.

0400245-20060802

The right photography can very visually distinctive, and offer a wide range of choices in subject, color, style and mood. Landscape and nature images can also provide a powerful counterpoint to the urban office setting, bringing the outdoors in and helping to create a serene, peaceful atmosphere. The best part is that it is often possible to decorate an entire office with original, signed photography for the price of a single original painting from an established painter.

0400265-20060803

The office pictured in this blog was completely decorated with my images (www.OutdoorExposurePhoto.com) for less than $6,000 including framing. This cost would be what you could expect to pay for a single piece of art when considering other fine art forms.

0400296-20060803

Interior decorators, designers and art consultants can be a critical component in selecting, framing, hanging and lighting a fine art photography collection so that it has the intended visual impact and properly compliments the rest of the interior design. In addition, they will often have contacts with top photographers and will be able to provide samples of high quality imagery.