March Show At Illahe Gallery – Earth Palette

February 25th, 2011

Last summer I had a private exhibit of my latest photography show entitled Earth Palette in the gallery at Rogue Valley Manor.  I am excited to invite you to attend the opening of the first public showing of this body of work.  The show will be featured at Illahe Gallery in Ashland, Oregon opening on Friday, March 4, 2011 from 5 to 8 PM.

Illahe Studios and Gallery is located on the corner of 4th and B Street in Ashland.  The show will be on exhibit for the entire month of March so if you miss the opening stop by any time.

The show consists of a series of my landscape and nature images from locations in the western US that all share a focus on color, light, texture and form.  The title of the show, Earth Palette, comes from my experiences photographing in the Painted Hills of central Oregon.  The images are vibrant, surreal, dramatic and perhaps in many ways represent my romantic impressions more than a literal representation of the world.
In keeping with my ongoing interest in moving beyond the traditional in landscape photography, I have created this entire show on a medium that is somewhat new to the art form, namely canvas. All of the images in this show have been printed in large format, some as large as 60 x 40, on gallery wrapped canvas. This gives them a painterly quality very different from what we usually expect from photographs. It is also a more raw and simple presentation, allowing one to view the images without competition from frames or separated by a layer of glass.

I hope to see you there!

Exploring Hart Mountain Wildlife Refuge In Winter

February 23rd, 2011

Admittedly, winter is not my most prolific photography season. Cold, darkness and unpredictable weather often get the better of my psyche and I find myself making excuses or prioritizing office work. However, once or twice a winter I do manage to gear up and head someplace windswept and snowy with my camera. This winter Chuck Porter, one of my oldest and best friends, and I spent a couple days exploring the lonesome high desert in the Hart Mountain Antelope Refuge. Back when we were more energetic Chuck and I spent a lot of time climbing cliffs and mountains all over the western US and spurring each other on to complete questionable feats of endurance. Once we hiked the entire length of the Wild and Scenic Rogue River Trail, all 40 plus miles, in a day. Another time we climbed Mt. Shasta, Mt. McLoughlin and Mt. Thielsen in a 21 hour push. These days we are happy just to get out and camp for a weekend and do a little ski touring.

Hart Mountain National Antelope Refuge is a national wildlife refuge on Hart Mountain in southeastern Oregon, which protects more than 422 square miles and more than 300 species of wildlife, including pronghorn antelope, bighorn sheep, mule deer, sage grouse, and redband trout. The refuge, created in 1936 as a range for remnant herds of pronghorn antelope, spans habitats ranging from high desert to shallow playa lakes, and is among the largest wildlife habitats containing no domestic livestock. Located in a remote region of southeastern Oregon at an elevation over 6,000 feet, Hart Mountain is a wild and desolate place any time of year. In winter, blanketed by snow, it becomes a quite and seemingly endless surreal landscape.

During our visit, Chuck and I skied through a couple of different areas, both very small in the total scale of the refuge. We talked about coming back one winter and skiing all the way across, but we’ll see if I ever get the winter motivation to take that on. The two areas we explored on this visit were the hot springs basin below Warner Peak and Petroglyph Lake.  Petroglyph Lake is sheltered on one side by a low cliff band that houses several panels of Native American rock art.

Instead of going on at length about the skiing, sleeping in the car, eating bad food and all the other standard tales from a trip like this I’ll just let the photos speak for themselves. You can click on each image to see it larger and then hit the back button to return to the article.

Hart Mountain rising out of the clouds above Hart Lake.

Old building at park headquaters.

Winter Landscape

Rok Chuk

Hotsprings basin black and white

Meandering hotsprings stream

Skiing toward Petroglyph Lake

Desolate and windswept

Warner Peak above the high desert plain

Skiing around Petroglyph Lake

Petroglyphs

Petroglyphs

Petroglyphs

Wind sculpted snow

Skiing in a snow shower

Friends of John & Teri Wimberley

January 19th, 2011

John Wimberley is an important photographer, teacher and friend.  When His wife Teri was diagnosed with Multiple Myeloma we were all shocked and saddened by the news.  Several fine art photographers have created portfolios of work to be given away in a benefit raffle.  Click the image below for more information.  To purchase tickets contact Robert Brummitt at 503-614-0161 or email at robert8×10@comcast.net.

My Favorite Images From 2010

January 3rd, 2011

Despite their ubiquity this time of year, I always look forward to year end reviews in which we, as a society, look back at the previous year and what came of it.  There is something intrinsically valuable about the practice of remembering the year gone, both personally and as a community.  I appreciate the sense of closure it gives; a sort of taking stock and clearing of the air, a brief pause before barreling toward the future again.  We do this for all aspects of life.  The media loves to inundate us with lists and images recalling the year in politics, movies, economics, environmental crises and sport.  Many of us take stock of what our personal lives brought in the past year as well.

Like many of my photographer colleagues, much of my year is wrapped up in the places I traveled and the photographs I made.  Much effort and time is spent in pursuit of those few defining images that rise above the rest.  They alone tell the story of my success or failure to communicate the vision I strive to capture and share.  Despite success or failure, it is really about going for the ride.  Whatever the outcome I take heart in adding another year to my photography story.

With those thoughts in mind I share some of my favorite images taken in 2010.  Enjoy.

Camino de Oro

Camino de Oro, Guanajuato, Mexico

Lost In A Winter Forest, Crater Lake, Oregon

Copper Coast, Puerto Escondido, Mexico

Shasta Lavender, California

Sparks Lake Columbine, Oregon

Twilight Grove, Redwood National Park, California

Unforgettable Fire, Cascade Pass, Washington

Mineral de Pozos Doorways, Mexico

Teardrop Of Sky, Bandon, Oregon

Starvation Creek, Columbia Gorge, Oregon

Thanks for looking.  I’d love to read any comments questions you might like to share, so please post those below.  If you’re feeling it, please share this blog on your social media site of choice.  Here’s to 2011!

Photographing Southern Baja, Mexico

December 28th, 2010

Mexico is one of my favorite places to travel and photograph.  Although it has recently been getting negative media coverage for events occurring mostly in cities near the US border related to drug trafficking issues, my experience is that many areas in Mexico pose minimal risk for travelers; certainly less risk than places within the United States.  Millions of Americans live in cities with higher crime and violence rates than the places I visit in Mexico.  Americans think very little of visiting places such as Los Angeles, New York and Washington DC.  However, I do meet people from other countries who avoid visiting those cities based on what they see on TV.

In the past couple of years I have traveled to and photographed several locations in Mexico in which I felt very safe and saw no signs of the problems being reported in the news.  Some of the locations in Mexico that I have been to recently can be seen in my Mexico photo galleries including Guanajuato, Sayulita, Puerto Escondido, Mineral de Pozos and San Miguel de Allende.

Most recently I spent eight days traveling extensively through southern Baja California.  I passed through several towns including La Paz, Todos Santos, Cabo San Lucas, San Jose Del Cabo, Santiago and La Ventana while scouting for a photography workshop that I’ll be leading with professional photographers David M. Cobb and Christian Heeb in November of 2011.  The remote end of the finger of land known as the Baja Peninsula is further from the troubles of northern Mexico than many places in the US.  Largely uninhabited, Baja presents an otherworldly desert landscape filled with towering cardon cactus and bordered by the achingly clear turquoise waters of the Sea of Cortez.  The lifestyle we found there was very relaxed and peaceful.  The small but well maintained two lane roads through the desert had very little traffic and the people were gracious and welcoming.  Very few places I have visited have felt as safe or as accessible.


The best part of the trip was the variety of new and different subjects to photograph which are not part of my familiar NW landscapes. The other best part was the fact that in November, when my home town is engulfed in freezing fog and rain, the weather was about as perfect as it could be.  It was comfortably cool at night, warming up to the high 80’s during the day with relatively low humidity for the latitude. The crystal clear water of the Sea of Cortez was the temperature of a heated swimming pool.

The entire Gulf of California was designated a Unesco World Heritage Site in 2005.  One of the highlights was hiring small fishing boats to take us out to some of the nearby islands, most notably Isla Espiritu Santo, but also Isla Cerralvo.  These islands have been protected as wilderness and are teaming with wildlife, both above and below the sea.  If you have ever seen photos of cactus perched above pristine turquoise bays there is a good chance it was on Espiritu Santo.  This may also be one of the few places where you can easily snorkel with sea lions and sea lion pups without need of a wet suit.

The most intimidating place in southern Baja I visited was Cabo San Lucas and that was almost entirely due to the Americans spilling out of cruise ships, visiting dance clubs, chartering fishing boats and building mansions on precipitous cliff above the sea.  At one time the landscape at the southern most point of Baja must have been a true natural wonder, but now it is almost completely developed.  Still, the beaches and rocky cliffs at Land’s End are so beautiful that they are worth seeing and photographing even in their current state of development.  The towering arch on the southern most tip known as El Arco is a wonder to behold.

We discovered a wonderful Oasis in Cabo, Los Milagros hotel.  The quiet garden courtyard setting, attractive rooms and friendly owner made it hard to believe it was located in the center of Cabo.  We are making a point to stay at Los Milagros with the photography workshop next year.  We also found similar quiet, friendly and comfortable lodging at el Angel Azul in La Paz and at the Ventana Bay Resort in La Ventana.

Los Milagros El Angel Azul

One of the highlights of the trip was photographing the Dia de los Muertos or Day of the Dead celebrations in La Paz.  This Mexican festival held in Early November honors and remembers those who have died.  While the Day of the Dead is not nearly as popular in Baja as it is in other parts of the country, La Paz has a wonderful event at the city’s outdoor theater that features a beauty pageant, dancing, poetry readings and theatrical performances.  The colors, lights and costumes all made for some great photo opportunities and a true departure from my normal nature focus.  We are timing the 2011 workshop to allow us to photograph this event again.

Even though I had wanted to travel to southern Baja for some time, the experience exceeded my expectations.  It provided a near perfect combination of safety, adventure, culture, comfort, weather, great people and photographic interest.  With at least three more months of hard winter weather coming up here in the NW I’m already anticipating my next visit.  Perhaps the best part will be the opportunity to share it with the photographers who join us for the workshop.  No matter where these workshops take me it’s always with a great groups of folks who enjoy expanding their photography skills and having a rip roaring good time.

If you would like more information on the November 2011 Baja California photography workshop it is available on my Workshops Page.

Exposure Blending Techniques In Landscape Photography

December 16th, 2010

I recently published an article on the Photo Cascadia blog discussing some of the basic exposure blending techniques I use.  Exposure blending is the processing technique I get asked about more than any other, and this is the topic most requested in my digital image processing classes.

Greensprings Sunset

So, what is exposure blending?  Simply put, it is a method of combining the best exposed portions of two or more exposures of a scene to maintain detail and balance in the brightest and darkest areas.  Camera’s have serious limitations in their ability to “see” wide ranges of light.  Scenes with a fairly narrow range of light can be captured in a single exposure. But in many dramatic natural light situations the range of light from the brightest areas, like a sunset sky, and the darkest areas, like a shadowed canyon in the foreground, are far outside the ability of film or digital sensor to record all at the same time.  This is in contrast to our own eyesight which is able to see a very wide range of light.

For this reason, many of the dramatic light photos people try to take have sky that is completely overexposed or white and landscape that is completely underexposed or black.  These images never live up to the way that the person taking the photo experienced the scene and often evoke the disclaimer, “it looked way better than this when I took it”.  Since the invention of photography in the 19th century photographers have tried to compensate for this shortcoming.  Traditional film photographers developed a long list of techniques, both in camera and through darkroom processing, to try to create images of high light range scenes that matched what they could see.  Digital cameras and the ability to process images using computers have now given photographers the best options for dealing with this problem.  It is possible to take multiple exposures of a scene in camera, exposing each image for a different part of the light range, and then combine the properly exposed portions of each into one final image.  The product is a photograph that has light balance and shadow and highlight detail that more accurately expresses our vision.  Photographs that would previously have been impossible are now possible, although not without some effort, skill and artistic vision.

Rowena Hills

There are automated software solutions, known as High Dynamic Range (HDR)software, that can blend multiple exposures automatically, making it possible for even the most amateur photographers to combine exposures and create high dynamic range images.  The most current versions of Photoshop have HDR software built in.  Other popular HDR software includes Photomatix, Nik HDR Efex Pro, and UnifiedColor HDR Expose. Currently, however, all the software solutions I have tried create quality issues for someone like myself whowants to create large fine art prints.  They allow very minimal local control over the effects they create and often produce a very cartoonish or glowing look that may or may not be what is intended.  Most problematic to me are the color shifts, low contrast and digital artifacts that can be introduced by HDR software.  For these reasons almost all of my exposure blending is done using hand blending techniques with layer masks in Photoshop.

These techniques are an art form in their own right, taking years to master and greatly increasing the overall difficulty and level of skill required in the photographic process.  The exciting part is that the creative control that darkroom masters such as Ansel Adams had, and that was largely lost in the era of color film, has now back in the hands of the photographer.  Marc Adamus sums up the challenge and value of this approach eloquently on his website stating, “My process in the field today is more difficult, more complex and more creative than it ever was or could have been with film…to think about this all in the field and bring back the right exposures to fulfill my vision of the scene has taken considerably more practice than learning how to use a colored or graduated filter in the film days, and has also opened new creative avenues. Anyone who thinks of digital photography as a ‘crutch’ of sorts, simply does not understand these processes and the precision with which they must be executed in-camera as well as in processing.”  Marc does such a good job communicating the ways that many contemporary photographers work that I would encourage you to read his entire artist statement if you have the time.

Deep Forest

If you are interested in learning more about the basic concepts and techniques behind exposure blending I would recommend reading my articles, Bracketing Exposures For Exposure Blending and The Basics Of Exposure Blending.  I also offer classes on exposure blending as well as private instruction.

I’d love to hear your comments related to this topic.  If you are an outdoor photographer, is this a technique that you use? What are your experiences with it? If you are not a photographer, what are your impressions such contemporary photography techniques? Please feel free to leave me a comment or share this article using the social media links below.

Meet The Photographers Free Event October 20

October 5th, 2010

Sean Bagshaw ImageDarlene Kruse ImageVitaly Geyman ImageDavid Winston Image

This winter five southern Oregon photographers, Sean Bagshaw, David Vanderlip, Vitaly Geyman, David Lorenz Winston and Darlene Lyon Kruse, will be presenting a series of photography workshops in Ashland, Oregon. The workshops will cover various topics of creative and fine art digital photography for all levels and interests. On October 20 all five photographers will be hosting a free presentation and round table discussion to kick off the workshop series. The event will be held in the Gresham Room at the Ashland Public Library from 7-9PM. There will be time to ask questions, find out about the upcoming workshop series and socialize. Everyone is welcome to attend this free evening dedicated to creative digital photography. Attendees will have a chance to win a free winter workshop registration and workshop discount coupons.

The list workshop titles and dates for the winter seires will be posted here soon.

Contact me for more information.

Cascade Pass

September 18th, 2010



Cascade Pass

Originally uploaded by Sean Bagshaw

I had an amazing week in the North Cascades with fellow Photo Cascadia members David Cobb and Chip Phillips. The sunrise on our first morning at Cascade Pass was spectacular. Chip went out with his camera at 4 AM and was able to make it all the way up to the Sahalie Arm from the Pelton camp by sunrise. Go to Chip’s photostream to see his image. David was next off at about 5:40 AM and made it up to the pass. I was last out and had to scramble to find a composition below the pass before the sky show was over.

How Many Exposures To Bracket For Exposure Blending Or HDR?

September 8th, 2010

As photographers we frequently struggle to overcome the limitations of our equipment in order to create the photographs we envision. One of the biggest limitations of traditional photography is the narrow dynamic range of light that can be contained in an image compared to what we see.

Techniques for blending exposures vary from simple to highly complex. They can be accomplished using skilled layer masking techniques in Photoshop. We also have the option to use one of a rapidly growing list of exposure blending programs commonly referred to as High Dynamic Range (HDR) software.

One of the most common questions I’m asked in classes and workshops on the topic of bracketing exposures for exposure blending and HDR imaging is, “how do you know how many exposures you need to bracket?”

The goal is to capture all the dynamic range tonal information in a scene in a series of exposures.  The sequence of images below shows four exposures I took of a high dynamic range scene on the Columbia River.  Having all the shadow and highlight information recorded in the various exposures allowed me to blend them using layer masks to create the final image.  I could have also used one of many HDR applications to blend the exposure values.

To read the full article I wrote on the Photo Cascadia Blog go HERE.

In the first exposure I noticed that both the shadows and highlights extended beyond the ends of the histogram.

By underexposing a stop I was able to contain most of the highlights.

Underexposing two stops enabled me to retain detail in even the brightest highlights.

Finally I overexposed by two stops to get an exposure in which no shadow detail was clipped. I did take an exposure one stop over exposed but didn't end up using it in the final image.

After careful blending using layers masks I did some additional processing for color and contrast to arrive at the final image.

You can read the complete article on the PhotoCascadia.com blog.

Please leave a comment or question below.

Recent Publications

August 20th, 2010

In the past few months I have supplied images to a few different publications.  For those interested in how landscape photographs are being used or what types of outdoor photographs are needed, both commercially and editorially,  I thought I would share a selection of recently published images.  In addition to the publications shown here, my images have also recently been licensed for use in websites, greeting cards, calendars and hotel interior design. I specialize in dramatic landscape photography as well as unique scenic and lifestyle images from the Rogue Valley and greater southern Oregon region.  I have targeted my reach toward markets that are looking for high quality images in those niches, specifically photography magazines, lifestyle magazines, real estate agencies, higher education, hotels and retirement communities, medical and health clinics and nature publishers.  Licensing my own images for publication is just one of the revenue streams for my business, but it has become one of the greater pieces of the puzzle in the last couple of years.

1859 Magazine hired me to photograph tree houses near Cave Junction for an article.

Digital Photo Magazine featured a gallery of my images.

Central Oregon Visitors Guide Cover

Chamber of Commerce Book

Bank Annual Report Cover

Phone Book Cover