Two of my prints were juried in to the International Conservation Photography Awards exhibit this year.  Red Willow Sea was the winning image in the Flora category and Lunar Eclipse Over Mt. Shasta was also accepted in the highly competitive Landscape category.

The International Conservation Photography Awards (ICP Awards), is a premier worldwide photography event. The biennial juried photo competition includes an online exhibit, a six week museum gallery show at the Museum of History and Industry in Seattle, Washington, and publication in a prestigious photography magazine. The selected prints celebrate the world’s diversity along with the creativity and originality of photographers.

Known for his passionate advocacy of the environment, world renowned nature photographer Art Wolfe created a conservation-themed photo contest in 1997 as “an event for the advancement of photogaphy as a unique medium, capable of bringing awareness and preservation to our environment through art.” The 2008 International Conservation Photography Awards is the latest incarnation of Art Wolfe’s vision. The ICP Awards is a biennial (every two years) community event involving foundations, sponsors, politicians, and photographers to promote environmental and cultural conservation.

Photography is all about light. Without it, no photo. However it goes far beyond that. The type, direction, color, amount and quality of light, as well as the photographer’s ability to see and manage the light, are serious contributors to the success of a photo. The ability to see, feel and anticipate light as well as know how the camera will capture light are skills that take a long time to acquire. Some light is right for some scenes but completely wrong for others. The best way to learn what works and what doesn’t is to get out and shoot in all lighting conditions and stick around to shoot the same subject as light is changing, all the while making special note of how the light looks to the eye.

Sometimes it is difficult to know by eye just how much impact the light going to have on a photograph. The best way to realize the impact of light is to compare photos of the same subject matter under different lighting. The following two photographs really illustrate the value of such an exercise. These photos were taken less than two minutes apart, one before the sun rose over the horizon and the second, just after. There are times when the soft glowing light that comes just before sunrise gives perfect even, luminescent lighting to a scene, picking up subtle details and working its way into the deepest shadows. However, in this case, there isn’t enough separation of elements or correctly angled surfaces in the scene. The even lighting causes the tree, rocks and mountains to appear muddy and not well defined and the sky washes out to an unattractive white.

What a difference a little time makes. In the second image, just a few seconds later, bright, warm, low angle direct sunlight has broken over the horizon, side lighting the scene. It brings out color and adds needed definition and depth to the image, all things the eye looks for. In addition, the direct sunlight coming in at 90 degrees to the camera lens allow for the best polarization effect from a circular polarizer, enhancing the color of the tree and rocks and helping to darken the blue sky.

The composition itself isn’t particularly interesting, but the addition of the right light can make a surprising difference in how appealing it is to the eye. This is a great example of a particular type of light enhancing an image. Unfortunately, it isn’t a perfect formula for success and you shouldn’t try to achieve the same type of lighting for every image you take. In another situation you might find that the pre sunrise light actually creates the most appealing image.

It all comes down to time spent shooting in all lighting conditions, becoming more familiar with what works and increasing your chances of being there when the light is right.

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