Sean Bagshaw Outdoor Exposure Photography

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Photography Journal: Photographing The Tour Of California

March 8, 2007 by Sean Bagshaw 1 Comment

Photography Journal: Photographing The Tour Of California

Tour of California

Ever since the days of three time Tour de France winner, Greg Lemond, I have been a European cycle racing fan. I also enjoy getting out on my bike as much as I can and even riding in some organized centuries and local races. Now and again I even photograph local road and mountain bike races, finding that the quick thinking and response time required for action photography is a nice break from landscape work. I have a dream about one day following the Tour de France or one of the other grand European pro tours and capturing classic shots of the peleton riding through the Alps or fields of sunflowers.

At the end of February this year I had the opportunity to do the next best thing, and just a few hours drive from my home. Along with some other local cycling enthusiasts I drove down to the San Francisco bay area to follow the first few stages of the Tour of California. In only its second year, the tour attracted over 1.6 million viewers along it’s 650 mile, eight day course which starts in San Francisco and winds its way through wine country and along the coast, ending in Long Beach. It brought together the most distinguished selection of riders to ever compete on US soil. In addition to many strong national teams, nine of the biggest Euro pro tour teams showed up. If you follow the Tour de France, then teams like Discovery, CSC, Rabbobank, Gerolsteiner and Credit Agricole as well as riders like Levi Leipheimer, George Hincapie, Ivan Basso and Paulo Bettini will ring a bell.

I mostly went to be a spectator, but couldn’t resist bringing the camera gear along to try my hand at shooting some world-class cycling action. While I didn’t have access to a motorcycle escort or a media helicopter like the great cycling photographer, Graham Watson, does, I was pleased by how accessible the event was to spectators and photography enthusiasts like myself. In most US professional sporting events, the spectators are confined to stadium seats and may only get within binocular range of the action. But as European cycling enthusiasts are well aware, in road racing the competition is held on public streets and highways where fans can line the course and cheer on their favorites from just inches away.

I traded off using a Canon 20D fitted with a 70-200mm telephoto zoom for distant shots with a Canon 5D fitted with a 16-35mm lens and a camera mounted flash for shooting the riders when they were so close I could touch them. For most shots I tried to maintain a shutter speed of at least 1/800 of a second to freeze the motion. Slower shutter speeds, panning and fill flash can also be used to create some fun motion blur effects to create the sensation of speed.

I followed the first three days of the tour. With a little map work I was able to shoot the race from one pre-scouted location along the course and then drive to the finish city ahead of the riders and capture the action at the end of the stage. It was as fun and exiting as I imagined it would be. Next year I hope to be able to be there for the entire eight days. Then I’ll be ready for a European grand tour. If anyone knows of a motorcyclist with a press pass to the Tour de France and who happens to be looking for a photographer, give him my number.

To check out some of the race photos on my stock site click HERE.
To see a more complete selection of images from the race log on HERE.

Filed Under: Photography Journal, Photography Travel Journal

Featured Photo: Submerged Fence

February 9, 2007 by Sean Bagshaw Leave a Comment

Featured Photo: Submerged Fence

submerged Fence

Taken on a cold fall morning at Hyatt Lake in the southern Oregon Cascades. A thin film of ice had formed on the lake overnight. The delicate ice patterns on the surface of the lake reflected the warm tones of the sunrise. The level of the lake was particularly high and the corner of the fence had been surrounded by water. The position of the fence corner created an interesting play of diagonal lines between the actual fence and its reflection.

I shot on a tripod and used a circular polarizer. I found two different positions for the polarizer that each enhanced different parts of the image. One gave a good reflection in the water, but made it difficult to see detail in the fence. The other position gave good detail in the fence but did not give a very good reflection in the water. I shot the scene both ways being careful not to move the camera or tripod between shots. In Photoshop I combined the two exposures to bring the best features of each photo toghether in the final image. You can read more about this technique I call exposure stacking in a previous post by clicking HERE.

First exposure 4 sec at f/29

Second exposure 1 sec at f/29

ISO 100

Canon EOS 20D

EF 28-135mm f/3.5-5.6 IS USM lens

circular polarizer

Gitzo Mountaineer Carbon Tripod

More…

Filed Under: Featured Photos, Photography Journal

Interview With Galen Rowell's Daughter On Sierra Club Radio

February 7, 2007 by Sean Bagshaw Leave a Comment

Gallen Rowell was one of the most prolific and well known outdoor and nature photographers in the second half of the 20th century. At a time when most outdoor photographers were struggling under the mass of large format photography equipment, Galen combined the emerging lightweight SLR technology with his legendary athletic ability to pioneer a whole new genre of adventure and nature photography. He would often combine his photography with first ascents of remote peaks or expeditions to unexplored regions. Any climbing guidebook for the western United States and Alaska is full of routes he established and climbing literature is full of Galen stories. I actually knew about Galen from his climbing exploits before I was familiar with him as a photographer. His energy, sense of wonder and adventure and commitment to his “on the move” style of photography enabled him to create some of our most iconic images of the Earth’s wild places.

Galen, more than any other photographer, is responsible for my interest in photography and the style and approach I use. But that is nothing unusual in the outdoor photography world. Galen inspired an entire generation of adventure seekers and outdoor photography enthusiasts. Galen was so prolific and his images so enduring that I often have difficulty distinguishing between my own photographic voice and his influence on the way I see a scene, something I find to be a curse and a gift at the same time.

Tragically Galen and his wife, Barbara Cushman Rowell, died in a plane crash near their home in Bishop, California in 2002 while they were both very much in the prime of their creative careers. If you are not already familiar with Galen’s photography you should visit the Web site of his photography business, which he called Mountain Light, at www.mountainlight.com.

Galen and his photography were tightly linked with the Sierra Club. The Sierra Club Website’s new radio show and podcast called Sierra Club Radio, has a recent feature interview with Nicole Rowell-Ryan, Galen Rowell’s daughter. On the show, Ms. Rowell-Ryan talks about her memories of her father as an artist and an adventurer.

You can listen to the interview with Nicole Rowell-Ryan at http://www.sierraclubradio.org/. The show aired on February 3, 2007. The podcast is also available in the iTunes music store- just search for “Sierra Club Radio.”

Here is what the Sierra Club has to say about their new broadcasts:

“The Sierra Club recently launched a weekly radio show which is designed to help meet the mounting demand for “green” news — information Americans can use as consumers, as citizens, as neighbors and parents to make responsible choices and to connect to the growing environmental community. We have posted the podcast on our website, http://www.sierraclub.org, and also on the iTunes music store (just search “Sierra Club”). The show is also broadcast in the San Francisco Bay area on 960am The Quake at 3:30 pm on Saturdays, and is soon to be syndicated on public radio around the country.
      Â
The show spotlights in-depth conversations with a wide range of environmental experts and activists, artists, filmmakers, and authors inspired by nature. It also features Sierra Club content – including lifestyle tips from Sierra magazine’s Green Life editor Jennifer Hattam and Mr. Green, Bob Schildgen; in-depth interviews with Sierra Club Books authors and contributors to Sierra magazine; and political observations and commentary by Executive Director Carl Pope. The program highlights stories from the Sierra Club’s conservation work and grassroots fieldwork, and hopefully it will encourage people to think more carefully every day about how we can each do our part to live green and protect the environment.”

Filed Under: Past Events, Photography Journal

Photo Travel: Southern Oregon Coast and Washington's Palouse

February 2, 2007 by Sean Bagshaw Leave a Comment

Recently I visited the southern Oregon coast twice and made another trip through central Oregon up to the Palouse region of eastern Washington.

The southern Oregon coast from Brookings up to Reedsport is known as one of the most photogenic coastal regions in the world. With its quaint fishing ports, long sandy beaches, cliffs, rock formations, lighthouses, dunes and a distinct lack of crowds there are endless opportunities to make some great photos. I find the biggest challenge is being there when the nearly ubiquitous fog bank is not.

The Palouse region of eastern Washington covers a large geographical area in Washington, south of Spokane and north of Lewiston. In this landscape of gently rolling hills, farmers grow a good portion of the country’s wheat crops. While interesting photography can be made here all year long the summer months provide the best opportunities. Late summer is the time when the wheat has been harvested and the fields are burned and plowed, creating a patchwork of abstract amber, black and brown shapes and patterns.

To view images you can go to my main site.Â

Filed Under: Photography Journal, Photography Travel Journal

Winter Photo Visit To Crater Lake National Park

January 29, 2007 by Sean Bagshaw 1 Comment

Winter Photo Visit To Crater Lake National Park

I always find it difficult to get out and photograph during the winter. The days are short and cold. The sky is often an unappealing gray and the weather is hard to predict. However, I find that when I do go out I’m usually pleased with what I find.

Recently I loaded up my VW Eurovan camper and headed to Crater Lake National Park which is about 80 miles from my home. Crater Lake always makes for a great outdoor experience, but in the winter it is especially stunning and sees very few visitors. Sometimes I like to make a full backcountry adventure and ski or snowshoe around the rim of the lake. On two occasions I have attempted to complete the entire 35-mile circumnavigation. The first time ended up being a seven-day epic in a multi-day blizzard. The second time I took a different approach and skied the entire distance in a single day in good weather. On this most recent and less ambitious trip I planned to camp overnight in my van and photograph the sunset and sunrise and do a little snowshoeing not far from the parking area.

Snowshoeing

The rim of Crater Lake is over 7,000 feet in elevation in the Cascade mountain range and is subject to severe winter conditions. Driving can be hazardous and the roads are often closed by snow. It is not unusual for there to be a snow pack of 10 or 15 feet. During stormy weather the lake is often hidden in a cap of clouds. There are also many good weather days each winter, so it is worth trying to time a visit with a clear spell.

I like to shoot at dusk and dawn. Even during good weather the temperatures at these times are usually below freezing and there is often a stiff breeze. I wear normal winter layers, warm boots and a hat. My three most critical layers are my gaiters, down jacket and Windstopper gloves. The gaiters keep snow out of my boots while wandering around in the snow. My down jacket provides good insulation for my core even while I stand still behind my tripod for long stretches. My windstopper gloves are made of thin fleece and have enough dexterity to operate my camera. The Windstopper layer blocks the wind and makes the gloves very warm for how thin they are. I also bring my snowshoes so I can venture off a bit into the untracked snow.

Crater Lake

During this visit I was treated to a fantastic sunset and interesting ice patterns on the partially frozen surface of the lake. Before dawn I hiked out to a point overlooking Wizard Island and Lao Rock and photographed the changing light as the sun came up. To view some images from this trip click HERE.

Filed Under: Photography Equipment, Photography Journal, Photography Travel Journal

Featured Photo: Corkscrew In Antelope Canyon

January 23, 2007 by Sean Bagshaw 2 Comments

Featured Photo: Corkscrew In Antelope Canyon

Antelope Canyon

Corkscrew In Antelope Canyon

Antelope Canyon is most likely Arizona’s most visited slot canyon. It is especially popular with photographers for obvious reasons. The upper section of Antelope Canyon is known as the “Corkscrew”. This name applies to the entire section of the canyon, but I think this particular view characterizes it best. Using long exposures and cooling filters, the color of the blue sky reflecting from the red sandstone
creates brilliant purple tones.

38 Seconds at f/22

Canon EOS 5D

EF 28-135mm f/3.5-5.6 IS USM lens

Gitzo Mountaineer Carbon Tripod

More…

Filed Under: Featured Photos, Photography Journal, Photography Travel Journal

Featured Photo: Sunrays Radiating From Behind Mt. Everest

January 15, 2007 by Sean Bagshaw Leave a Comment

Featured Photo: Sunrays Radiating From Behind Mt. Everest
Sunrays Radiating From Behind Mt. Everest

Sunrays Radiating From Behind Mt. Everest

Taken at sunrise atop 17.500 foot high Gokyo Ri, Nepal Himalayas.

1/50 s at f/6.3, ISO 100

Fill Flash

Canon EOS 5D

EF 28-135mm f/3.5-5.6 IS USM lens

Gitzo Mountaineer carbon tripod

More…

Filed Under: Featured Photos, Photography Journal, Photography Travel Journal

Featured Photo: First Light In Monument Valley

January 10, 2007 by Sean Bagshaw Leave a Comment

Featured Photo: First Light In Monument Valley
Monument Valley

First Light In Monument Valley

Monument Valley Tribal Park, Arizona

Blended dual exposure

1/10 s and .5 s at f/18

Canon EOS 5D

Canon EF 28-135 f/3.5-5.6 IS USM Lens

Gitzo Mountaineer Carbon Tripod

More…

Filed Under: Featured Photos, Photography Journal

Featured Photo: Winter Shore

January 9, 2007 by Sean Bagshaw Leave a Comment

Featured Photo: Winter Shore
Winter Shore
Winter Shore
Lake Of The Woods
Southern Oregon Cascades
Canon 5D
28-135 mm lens
Circular Polarizer
Gitzo Mountaineer Carbon Tripod
Double RAW processed for shadows and highlights
More…

Filed Under: Featured Photos, Photography Journal

Lake Of The Woods At Sunset

September 16, 2006 by Sean Bagshaw Leave a Comment

Lake Of The Woods At Sunset

On Wednesday I met two photographer friends at Lake of the Woods in the late afternoon for a group photo session. Shane and Bryon do a lot of portrait photography so they are always glad for the chance to get out and photograph in nature. Lake of the Woods is located in the Southern Oregon Cascades between Ashland and Klamath Falls. Other than a small resort and a few summer homes it is generally quite and has great views of the surrounding mountains, including Mt. McLaughlin. In the early summer there are large meadows that can be dense with wildflowers. Now that it was the middle of September, they were long gone, but we figured there would be some nice photographs of the sunset and Mt. McLaughlin reflected in the lake. We talked a lot and took a few photos. The conditions weren’t stunningly spectacular, but the late twilight shots taken with long exposures have nice mysterious shadows and a deep, glowing quality to them.

Lake of the Woods

Filed Under: Photography Journal

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